Concept and Choreography: Radouan Mriziga
Made and performed with Maria Ferreira Silva, Maïté Jeannolin, Karl Saks & Radouan Mriziga
Production: Moussem Nomadic Arts Centre | Co-production Kaaitheater (Brussels) Vooruit (Gent) in the frame of the European Network DNA (Departures and Arrivals) / Co-funded by the Creative Europe Program of the European Union. C-mine (Genk), Tanzquartier Wien (Vienna), Villa Manin / CSS Teatro (Udine)
In collaboration with Marrakech Biennale 6 (Marrakech), Alkantara (Lisbon), Short Theatre (Rome), Kunstenwerkplaats Pianofabriek (Brussel), WP Zimmer (Antwerpen), Charleroi Danses, Centre Chorégraphique de la Fédération Wallonie-Bruxelles (Charleroi).
In 3600, a choreography for four dancers, Radouan Mriziga approaches dance from an architectural perspective, with the body as central instrument for the performance.
3600 is a search for a linear and transparent structured choreography. A construction where the movement and narratives are distilled from the act of constructing visual objects. Where the body is used as a measurement tool.
3600 seconds of no separation between the body, spirit, and the intellect. A space where the dancers and performers become craftsman and architects. Inspired by modern architecture and Islamic art where the objects produced are a perfect meeting between aesthetics and function, where art is mathematically precise, aesthetically pleasing and symbolic.
3600 is a space where we perform all what we construct and the constructed is our performance.