Danya Hammoud

Sérénités

Three women, linked by a score, are in permanent displacement, during a migration that leaves traces. Like in a river, the water is never the same. Each step transforms the following.
In Sérénités, choreographer and dancer Danya Hammoud develops new lines of research. How do we write our own story? How do past experiences affect our present? A tension that evolves throughout the score. Each event will be viewed through details and deconstruction. What we share is the desire for a certain state of being.
In this process, Hammoud is particularly interested in blurring the distinction between the end of one gesture and the beginning of another. Like a smile of which we cannot tell if it just came into being or if it's disappearing.

DATES TBA

by / with

By Danya Hammoud
With Yasmine Youcef, Ghida Hachicho and Danya Hammoud Accompaniment : Marion Sage.
Sound: Anne Lepère.
Production : Association L’Heure en Commun
Administration of production : In’8 circle • maison de production, Marseille.
Co-production: La Maison CDCN Uzès Gard Occitanie. France, Programme Etape Danse, initié par l’Institut français d’Allemagne - Bureau du Théâtre et de la Danse, en partenariat avec la Maison CDCN Uzès Gard Occitanie, le théâtre de Nîmes- scène conventionnée d’intérêt national – Art et Création - danse contemporaine, la Fabrik Potsdam, deSingel - Anvers, Moussem- Bruxelles,Atelier de Paris-CDCN, France. CCN Montpellier. Charleroi Danse.
Avec le soutien de la Cité internationale des arts.

Three women, linked by a score, are in permanent displacement, during a migration that leaves traces. Like in a river, the water is never the same. Each step transforms the following.
In Sérénités, choreographer and dancer Danya Hammoud develops new lines of research. How do we write our own story? How do past experiences affect our present? A tension that evolves throughout the score. Each event will be viewed through details and deconstruction. What we share is the desire for a certain state of being.
In this process, Hammoud is particularly interested in blurring the distinction between the end of one gesture and the beginning of another. Like a smile of which we cannot tell if it just came into being or if it's disappearing.

DATES TBA

performance / moussem co-production